Ancient Jewish cultic music was valid only in connection with the cult, and the cult was valid only at the Temple in Jerusalem. When Jerusalem fell to the Romans in 70 CE, and the Temple destroyed, the cult ceased, and with it cultic music. Hope that the city and the Temple would be rebuilt and cultic worship restored nevertheless persisted, as is witnessed by the Mishnah (m. ‘Abot 5:20; m. Tamid 7:3, end), and persists still among the devout. It may have been this hope that inspired the compilers of the Mishnah to include in its tractates details of the measurements and more important rites of the Temple (116).
—John Arthur Smith, Music in Ancient Judaism and Early Christianity (Ashgate, 2011), 116 (HT: Noah Frens)