As well as the essay I have read your interviews with James McPherson and James Oakes. I share their sense that, putting it politely, this is a tendentious and partial reading of American history.
I understand where this Project is coming from, politically and culturally. Of course, the economic well-being of the United States and the colonies that preceded it was constructed for over two-and-a-half centuries on the labor and sufferings of slaves; of course, like all entrenched wielders of power, the white political elite resisted efforts to yield up its privileges. But the idea that the 1619 Project’s lead essay is a rounded history of America—with relations between the races so stark and unyielding—I find quite shocking. I am troubled that this is designed to make its way into classrooms as the true story of the United States, because, as I say, it is so partial. It is also wrong in some fundamentals.
I’m all for recovering and celebrating the history of those whose voices have been historically muted and I certainly understand the concern of historians in recent times, black and white, that the black contribution to the United States has not been fully recognized. But the idea that the central, fundamental story of the United States is one of white racism and that black protest and rejection of white superiority has been the essential, indispensable driving force for change—which I take to be the central message of that lead essay—seems to me to be a preposterous and one-dimensional reading of the American past.
Richard Carwardine, Oxford Historian On The NYT 1619 Project (Dec 31, 2019)