In the course of time the constraint of Calvin’s ideals has gradually come to be less felt in the worship of the Reformed Churches. A modification of view as to the relations of art and worship has permitted the harmonization of congregational song, its instrumental accompaniment, and also the introduction of the music of impression whether of the choir or organ.
—Benson, Louis Fitzgerald. John Calvin and the Psalmody of the Reformed Churches.
Post authored by:
R. Scott Clark

R.Scott Clark is the President of the Heidelberg Reformation Association, the author and editor of, and contributor to several books and the author of many articles. He has taught church history and historical theology since 1997 at Westminster Seminary California. He has also taught at Wheaton College, Reformed Theological Seminary, and Concordia University. He has hosted the Heidelblog since 2007.
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